Great Record Labels: Rhino Records

Ojai Sam

Staff member
It's a record store!

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It's a record label!

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Actually, it's both. The store opened in 1973 on Westwood Boulevard, a few blocks from where I grew up. Three years later, under the guidance of Richard Foos and Harold Bronson, they started putting out their own product, with this self-referential title their maiden release. Over the years, they expanded their catalog to include some new releases but leaning heavily toward reissues. Rhino became legendary for both intelligent compilation and superbly mastered vinyl. Mail order sales increased to drive the major part of the business. The label developed a hip marketing image featuring Rocky Rhino that appealed to consumers of all ages.

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The digital era brought with it a revival of interest in back catalog, as boomers began buying digital reissues of the music they grooved to in the 50's and 60's. Rhino came along for the ride, expanding to buy up defunct but historically significant labels like White Whale and, their big coup, Roulette. The flood of fine product continued but as Rhino grew, they entered into partnerships with EMI and then Time Warner to gain access to the vaults of Capitol, Atlantic and the like. Predictably, the giant gobbled up the feisty independent and Rhino withered away as a component of Warner Music Group.

I used to haunt the store regularly until it closed in 2006 to became a Persian restaurant. Rhino Records releases also form a big part of my collection. Both Sides Now Publications has favored us with an exhaustive discography running to 14 parts which you can find here:


Even I wouldn't try to accumulate them all, but I will post some interesting titles to illustrate the label's many strengths.
 
Various Artists - Groove 'n' Grind: 50's and 60's Dance Hits (rec. 1957-66, Rhino 70992, 1990)

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This compilation is typical of Rhino's output during their heyday in the 1990's. Producers Gary Stewart and James Austin compiled 18 tracks and licensed them from 11 different labels, large and small, something rarely done before. Bill Inglot and Bob Perry did the digital remastering, making these vintage recordings of dubious quality sound a lot better than they ever had. Journalist Gene Sculatti contributed the liner notes. He certainly had the experience for the job as the first writer to cover the San Francisco music scene for a national magazine.

But the key here is the track selection. Before the British Invasion, a series of dance crazes seized the American music scene and even the culture itself. You know the The Twist, The Swim and The Jerk, but how about The Georgia Slop and The Shag? The genius of this collection is the mix of the familiar with the novel to present a cohesive view of this major phenomenon of its time.

:5.0: on the Sam-O-Meter.
 
The Everly Brothers - Cadence Classics: Their 20 Greatest Hits (rec. 1957-60, Rhino 5258, 1985)

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With this release, Rhino restored to the marketplace the timeless hits of The Everly Brothers which had become entangled in record company politics. Even Andy Williams' dog played a part in this tail.

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During their heyday, the Everlys recorded for Cadence Records, founded by Archie Bleyer, Arthur Godfrey's music director. The label found it increasingly difficult to compete with the majors, with the result that Don and Phil jumped to Warner Brothers in 1960. After Andy Williams departed for Columbia the next year, Cadence went into decline. Williams bought its whole catalog in 1963 and founded Barnaby Records to exploit it.

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However, Andy was really only interested in his own masters and had purchased the rest under pressure from Archie Bleyer. Consequently, the other artists, notably the Everly Brothers, languished as Barnaby went through a series of distribution arrangements with CBS, MGM and GRT. Enter Rhino Records, which had gained an grassroots understanding of the complex landscape of record distribution from operating a retail store. As discussed in the last post, at the dawn of the digital era everyone wanted to release oldies but licensing from the innumerable medium and small labels of the 50's and 60's was a tangled web. So Rhino's first compact discs focused on anthologies from significant artists like The Turtles, The Shirelles, Dionne Warwick and Gene Pitney whose labels had failed to keep their seminal work in print.

For this disc, Rhino licensed the songs from Barnaby and then put the soon to become legendary Bill Inglot to work remastering them for digital release. The end product was revelatory both artistically and sonically. They packed a generous 20 tracks onto a single CD, leaving room for all the hits plus notable obscurities like "I'm Here To Get My Baby Out Of Jail". Eventually all of the Everly's Cadence material, including unreleased songs and alternate takes, emerged on Bear Family but this album still stands as the best single disc retrospective of the brothers' best years before they escaped to WB and thereby jumped the shark.

Where did Andy Williams' dog fit into the puzzle? Barnaby Records was named after his beloved Mr. Barnaby.

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Andy and Mr. Barnaby
 
Greg KIhn - Kihnsolidation: The Best of Greg Kihn (Rhino 70990, 1989)

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I was unfamiliar with Greg before this thread. His brand of Bruce Lite crunchy pop rock is actually quite enjoyable, very 1980's. With album titles like Citizen Kihn, Next of Kihn, Rockihnroll, KIhntinued, Kihnspiracy, Kihntageous and Rekihndled, this Best Of titled itself.
 
Greg KIhn - Kihnsolidation: The Best of Greg Kihn (Rhino 70990, 1989)

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I was unfamiliar with Greg before this thread. His brand of Bruce Lite crunchy pop rock is actually quite enjoyable, very 1980's. With album titles like Citizen Kihn, Next of Kihn, Rockihnroll, KIhntinued, Kihnspiracy, Kihntageous and Rekihndled, this Best Of titled itself.
Oh, Sam! You should at least know Kihn from his song "Jeopardy" which inspired an early Weird Al hit "I Lost On Jeopardy"
Also the wonderful "Breakup Song" which always fools people with the unmentioned title (instead of the oft-repeated "They don't write 'em like that anymore"
Beyond that, don't know Kihn's deep cuts but love both of those "very 80s" songs
 
Marshall Crenshaw - This Is Easy: The Best of Marshall Crenshaw (rec. 1981-96, Rhino comp. 2000)

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This comp is typical of the outstanding output from Rhino. Producer Gary Stewart worked with the artist himself to select the 22 key tracks here from his first single through his seven albums on Warner Bros. They even went the extra mile to cross-license three more songs from MCA and Razor & Tie to present the complete picture. This Is Easy makes a very persuasive case for Marshall to be included among the top singer-songwriters of the 80's. It's also just a hell of a lot of fun.
 
Exene Cervenka - Old Wives' Tales (1989)

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After X released See How We Are in 1987, they wouldn't record again for six years, so Exene released her first proper solo album. Gary Stewart, head of A&R at Rhino for over two decades, welcomed many L.A.-based artists to the label and gave them free rein to indulge their individuality. The Los Angeles Times quoted Rhino Records co-founder Richard Foos as saying “I give him almost all the credit for overseeing everything. Approving every album, which were hundreds a year.”

Exene must have chafed under the stylistic strictures of being in a group, because Old Wives' Tales paints on a broad canvas, from folk to hipster jazz to rockabilly. Exene even includes a couple of songs that would have fit nicely on an X album. The title is a sly nod to new hubby, Viggo Mortensen, who contributes the eccentric calligraphy to the booklet.

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Exene and Viggo
m. 1986-1997

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Gary Stewart
1957-2019

:5.0: on the Sam-O-Meter.
 
Napoleon XIV - The Second Coming (Rhino comp. 1996)

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Who but Rhino would release a collection on an artist like Jerry Samuels (aka Napoleon XIV), the ultimate one hit wonder with "They're Coming To Take Me Away, Ha-Haaa!" We get the hit single, the complete album, two tracks from the unsurprisingly unreleased second album For God's Sake, Stop The Feces! and a batch of new songs. The b-side of the single "!aaaH-aH ,yawA eM ekaT ot gnimoC er'yehT" is (what else?) a hidden track. Play this loud enough and you too may be taken away.
 
Napoleon XIV - The Second Coming (Rhino comp. 1996)

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Who but Rhino would release a collection on an artist like Jerry Samuels (aka Napoleon XIV), the ultimate one hit wonder with "They're Coming To Take Me Away, Ha-Haaa!" We get the hit single, the complete album, two tracks from the unsurprisingly unreleased second album For God's Sake, Stop The Feces! and a batch of new songs. The b-side of the single "!aaaH-aH ,yawA eM ekaT ot gnimoC er'yehT" is (what else?) a hidden track. Play this loud enough and you too may be taken away.
I remember it like I was 13 years old traveling through Eastern Canada with my parents, visiting Quebec, Ottawa, Isle de Orleans, Sainte-Anne-de-Beaupré, Cap Chat, and the Gaspé Peninsula, and my sister and I dunking ourselves in the Saint Lawrence for a Canadian dollar each.

This song came on intermittently during our trip. For obvious reasons, my parents preferred easy listening.
 
Various Artists - Beatlesongs! The Best Of The Beatles Novelty Records (Rhino 1982)

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Vinyl Spin of the Day.

Rhino Records was the undisputed champ of topical compilations. For this broad-based collection, they licensed a dozen songs ranging from breathless teen fan tributes to bizarre comedy:

Buchanan and Greenfield – The Invasion
The Rutles – Hold My Hand
The Carefrees – We Love You Beatles
Donna Lynn – My Boyfriend Got A Beatle Haircut
Casey Kasem – Letter From Elaina
Jack Nitzsche – Beatlemania
The Qworymen – Beatle Rap
Peter Cook & Dudley Moore – L.S. Bumble Bee
Wild Man Fischer – I`m The Meany
Allan Sherman – Pop Hates The Beatles
The Four Preps – Letter To The Beatles
Gary Usher – The Beetle

The cover came from William Stout, creator of art for fantasy comics, movie posters and paleontology texts. His renowned album covers included both legitimate releases and bootlegs such as this one:

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No trouble was too great for the obsessives running Rhino. On the back cover is a personal letter from Dudley Moore to Managing Director Harold Bronson that supplies the intriguing backstory of "L.S. Bumble Bee".

Buying Tips:

1. This album never appeared on compact disc, presumably due to licensing issues.

2. The LP was reissued without the Stout cover, again probably for contractual reasons.
 
Fred Astaire - At M-G-M: Motion Picture Soundtrack Anthology (rec. 1933-57, Rhino/TCM 1997)

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Sharing a corporate parent with Turner Classic Movies opened the vast vaults of M-G-M to the relentless anthologizers at Rhino. This was but one of many ambitious collections that resulted from this felicitous partnership. It covers Fred Astaire's lengthy movie career with 39 songs sprawling over 2 discs, lovingly remastered from the original soundtracks. A 44 page booklet with notes by film historian Will Friedwald completes the package. For me, the biggest revelation comes from the opportunity to hear the full length orchestral pieces running as long as 7 minutes that added so much to Astaire's elaborate dance routines.


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