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A fair question to ask of a guy who never got Bitches Brew. Let me give it a little thought.For some reason, that album never clicked with me. I got via Lala, listened to it over and over, and swapped it out. I just don't get it. What did I miss?
Maybe it would help to know what Coltrane albums Nick does enjoy.A fair question to ask of a guy who never got Bitches Brew. Let me give it a little thought.
A fair question to ask of a guy who never got Bitches Brew. Let me give it a little thought.
Actually, I am not sure I know any other ofhis albums. My jazz exposure has been sporadic. I took a jazz appreciation course in college (Thank you, Smithsonian Collection of Classic Jazz!). I like early jazz (Jelly Roll Morton, Fats Waller, etc.), the later, "experimental" jazz, but also love Brubeck, what I have learned is "hard bop" and "California" style, and Lee Morgan's "sidewinder" (what category does that fall into?).Maybe it would help to know what Coltrane albums Nick does enjoy.
Zeeba is doing a great job sorting the threads of jazz with his series, although it is not chronological. Actually, the problem shared by A Love Supreme and Bitches Brew is that they were both radical breaks, for each artist and for jazz in general.Actually, I am not sure I know any other ofhis albums. My jazz exposure has been sporadic. I took a jazz appreciation course in college (Thank you, Smithsonian Collection of Classic Jazz!). I like early jazz (Jelly Roll Morton, Fats Waller, etc.), the later, "experimental" jazz, but also love Brubeck, what I have learned is "hard bop" and "California" style, and Lee Morgan's "sidewinder" (what category does that fall into?).
Someone .......(jazzy....sam...) should start a "History of Jazz" thread in which is discussed the various styles and how they relate (or don't) to each other. I know I like jazz in general. But I also know there is some I don't like. Just not sure why. Maybe if it is laid out chronologically with copious examples I will find the "AHA!" moment.
I notice (with me) that, without the context of living through a historic musical experience, the historical context often gets lost. We might hear an album and say "So what?" [a KOB reference] because it seems so insignificant in the scheme of things. Other times, it might more immediately click, or because I put time and effort into its exploration.Zeeba is doing a great job sorting the threads of jazz with his series, although it is not chronological. Actually, the problem shared by A Love Supreme and Bitches Brew is that they were both radical breaks, for each artist and for jazz in general.
That's ok. It gave me a chance to catch up. I'm listening to Tangerine now.Zeeba needs to do a better job as there's been no recent posts. My schedule is better next week - expect a glorious return

Actually, I am not sure I know any other ofhis albums. My jazz exposure has been sporadic. I took a jazz appreciation course in college (Thank you, Smithsonian Collection of Classic Jazz!). I like early jazz (Jelly Roll Morton, Fats Waller, etc.), the later, "experimental" jazz, but also love Brubeck, what I have learned is "hard bop" and "California" style, and Lee Morgan's "sidewinder" (what category does that fall into?).
Someone .......(jazzy....sam...) should start a "History of Jazz" thread in which is discussed the various styles and how they relate (or don't) to each other. I know I like jazz in general. But I also know there is some I don't like. Just not sure why. Maybe if it is laid out chronologically with copious examples I will find the "AHA!" moment.
One way to get a running jump on Coltrane would be to do a series on his albums in order.The Beach Boys - The Beach Boys Today!
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Today! established the Beach Boys as album artists rather than just a singles band. I will always be a huge Beach Boys fan!! Listen & enjoy!