Unsomnambulist
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on the Sam-O-Meter. Joni has found the Refuge of the Roads.
on the Sam-O-Meter.Wow! You hated it at first? I grew up with my parents playing Joni's albums and loved them all. And then "Hejeira" came out and I loved it more than anything else she had done! Part of that might be that I was greatly into Weather Report at the time and Jaco is ALL OVER this album. I still spin "Hejeira", "Run for the Roses", and "Blue" regularly. What an incredible talent Joni Mitchel was.Joni Mitchell - Hegira (1976)
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Here's a record that I absolutely hated when it came out. Joni had migrated so far from the articulate folkie that I had come to know and love that I was devastated. Moreover, I did not understand or appreciate post-hard bop jazz at all. Now, four decades later, I see this for the inspired work that it is.
More than anything, Hejira is a showcase for the bass of Jaco Pastorius and, to a lesser extent, the guitar of Larry Carlton. Mitchell dedicates a bag full of fine songs and her increasingly abstract vocals to the service of some jaw-dropping contemporary jazz. "Transitional" would be a massive understatemement; "transformational" is more like it.
Wiki says:
The album title is an unusual transliteration of the Arabic word more commonly rendered as Hegira or Hijra, which means "rupture", usually referring to the migration of the Islamic prophet Muhammad (and his companions) from Mecca to Medina in 622. She later stated that when she chose the title, she was looking for a word that meant "running away with honor." She found the word "hejira" while reading the dictionary, and was drawn to the "dangling j, like in Aja... it's leaving the dream, no blame".
The cover art echoes this motif, with the comfort of the woods receding into the background while the highway stretches ahead to the unknown horizon.
on the Sam-O-Meter. Joni has found the Refuge of the Roads.
All of it?
Nope. Like the other two or three multi-cd albums I've listened to lately, I listened to only one of the CDs. Yesterday with Kurt Rosenwinkel's double CD album, I listened to the first CD. Earlier in the week, I listened to two different SFJazz Collective albums, but only one CD from each. With this album, I'm listening to the second CD, which includes the suites "The London Side" and "The Los Angeles Side". Each "side" (there are four across 2 CDs) involves a different group of musicians joining Makaya.All of it?

I usually do the same for Kamasi Washington, Snarky Puppy...Nope. Like the other two or three multi-cd albums I've listened to lately, I listened to only one of the CDs. Yesterday with Kurt Rosenwinkel's double CD album, I listened to the first CD. Earlier in the week, I listened to two different SFJazz Collective albums, but only one CD from each. With this album, I'm listening to the second CD, which includes the suites "The London Side" and "The Los Angeles Side". Each "side" (there are four across 2 CDs) involves a different group of musicians joining Makaya.

Branford Marsalis - Four MFs Playin' Tunes (2012)
Volvo.
That's what comes to mind when I listen to any Branford album recorded in the last 20 years. High quality. Sometimes exhilirating, but mostly topping out at ... brisk. Well made and professionally presented. Virtually no complaints. Safe.
Ocassionally, It would be nice to feel some torque, even if that means something else might sputter every once in a while. feel it missing from
That's all folks
#neverownedavolvobutiwouldbehappyto