What Are You Listening To? October 2019

Kendrick Lamar - Good Kid, m.A.A.d. City (2012)

My son insists this is one of the top 5 Hip Hop albums of all time. He further insists that Kendrick has at least two albums in that top-5 list.

I definitely don't agree with the the second point, and less stridently disagree with the former. This is a great album, but for an old head like me, I have heard hundreds and hundreds of great albums. My top 10 list of Hip Hop albums probably has at least 30 albums on it and I'm not sure this makes the cut even with 30 albums. JazzySon gets me loving Tupac (Me Against The World) and Nas (Illmatic), but he can't wrap his brain around the idea that another two dozen albums are better than this one.

But this is still a marvelous album, deserving of all the accolades it gets. And I completely understand why ears younger than mine might place this in the top 5.

I just checked and discovered that I have 58 Hip Hop albums rated at 4.5-5.0 stars. Assuming naturally that this (which I rate 4.5) doesn't beat the 10 that have 5 stars, I wonder where, approximately, this might fall in the space between 11-58? Not as high as The Miseducation Of Lauryn Hill (which should probably be re-evaluated to 5,) but not as low as 58. Though, as I look over the list, it's hard to say this beats People's Instinctive Travels And The Paths Of Rhythm (A Tribe Called Quest), or Doggystyle (Snoop), or Things Fall Apart (the Roots), or Be (Common), or Joyful Rebellion (K-Os) ... all of which might one day be re-evaluated to 5 stars. Maybe I'll give it the nod over Big Tyme (Heavy D) but even that is a tough call and that's just one album. It sounds ridiculous to say this is my 57th favorite Hip Hop album of all time, but maybe that just speaks to all the great albums that have been released since Hip Hop was born.

I remember LowNotes being an early promoter of this album. He was recommending it long before I even knew who Kendrick was. If not for LN, it might have been months later before I got turned on to this. I wonder where LN ranks this all time?
 
Last edited:
K-Os - Joyful Rebellion (2004)

After mentioning this in the previous post, I was compelled to listen to it.

K-Os sings nearly as much as he raps on this, sort of like a male version of Lauryn Hill. And in a lot of ways, this could be a different iteration of The Miseducation Of Lauryn Hill, as it has a lot of songs in touch with his emotions and deep thoughts.

With later albums, K-Os would increasingly lose his Hip Hop meets Reggae flavor, switch to singing almost exclusively, and move to a sort of garage bandy /slash/ punkish sound. It was a 180-degree change. I followed him for a long while, but have kind of let him fly away and do his own thing.
 
Repeated refrain on the first song: "You remind me of a Buick LeSabre ... cool, smooth." That cracks me up every time I hear it. Croker is too young to remember when Buick's were kind of cool. I wonder how he came up with that line."
It could be one of his uncle's favorite sayings. His name was Berwick LaFavre.
Kendrick Lamar - Good Kid, m.A.A.d. City (2012)

I remember LowNotes being an early promoter of this album. He was recommending it long before I even knew who Kendrick was. If not for LN, it might have been months later before I got turned on to this. I wonder where LN ranks this all time?
I might not have listened to this album, but I want to make another shout-out for LowNotes. :heart:
 
Then, I'll stop with the puns, already. I don't want to put anyone into a full-on como.

Lucerning minds wanted to know.
I'm watching this conversation to ensure it doesn't offend Americans. Not that I'm choosing sides. I don't want this converstion to offend the Swiss either.
 
Last edited:
I'm watching this conversation to ensure it doesn't offend Americans. Not that I'm choosing sides. I don't want this converstion to offend the Swiss either.
I'm offended that I ever got involved and turned it into a conversation. But, that's just me overreacting to myself, again.
 
Adam Rogers & David Binney - R&B (2015)

Despite the title, this is not an album of cover tributes to Stevie Wonder, Mary J Blige, and Luther Vandross. The title refers to the lead musicians "Rogers & Binney", not the music.

The music is all covers and all swing. None of that contemporary NYC Jazz scene stuff. Just solid swingin' standards that could have been ripped right out of 1957. If you like any of the 50s-60s standards-based albums from several of the era's guitar greats, you'll appreciate this.
 
Back
Top