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That review snippet describes this experience in a nutshell, making me think precocious, pretentious and masterful, all at the same time. It will either intrigue you, or send you running through the doors into oncoming traffic.AllAboutJazz said:Like the micro-algae referenced by the band's name, "Nine Hats" ventures into the void, taking bits of Eric Dolphy ("Hat and Beard}} and musical experimentalist Colon Nancarrow's "Study No. 9 for Player Piano" as premise for further expansion. With the electronic arpeggiator swirling amid Carrington's phantom-like skittering and Lage's contemplations, the piece slips effortlessly into an open ended investigation of the tonal poetry of fellow vanguardist Geri Allen's elusive "The Dancer." First heard on Miles Smiles (Columbia, 1967), Wayne Shorter's percolating "Dolores" gets its first radically restructured take (an even more kinetic second take closes out the set.) Keeping all their feet to the metaphorical peddle, "Bird Suite Part 1: Kingfisher" soars from a rock 'n' roll center out onto Seventh Avenue and beyond.

Schmaltzy string orchestra versions of college and professional football team songs? "Boola Boola for Violas" must be pretty sweet.
One might expect that from Percy, but actually he presents these college fight songs (no professional teams other than the USC TrojansSchmaltzy string orchestra versions of college and professional football team songs? "Boola Boola for Violas" must be pretty sweet.
on the Sam-O-Meter. Fight on!Two of my top five all-time trumpeters (why can't I say trumpeteers, like puppeteers). The band is fantastic, being Kenny Garrett, Mulgrew Miller, Cecil McBee and Carl Allen.AllMusic said:At this point in their evolution, Hubbard still gets the edge (his range is wider and he cannot be surpassed technically). Although Shaw tended to play more harmonically sophisticated lines and is remarkably inventive, they are both trumpet masters.
on the Sam-O-Meter. 