Random Music Thoughts

As part of my ongoing, neverending home-tidyng project, this morning, among other tasks, I shelved a few more CDs. Among them were 3:44 by Jay-Z, which had been in the VW until I rotated out the batch of CDs that had been there for too long. My CDs are shelved alphabetically, as many collectors probably do.

At the end of the Jay-Z CDs, are the CDs by musicians/bands that begin with "Jazz". The first such is "Xenoblast" by The Jazz Mandolin Project

Seeing Jay-Z next to Jazz Mandolin Project shook me for a moment.
 
As part of my ongoing, neverending home-tidyng project, this morning, among other tasks, I shelved a few more CDs. Among them were 3:44 by Jay-Z, which had been in the VW until I rotated out the batch of CDs that had been there for too long. My CDs are shelved alphabetically, as many collectors probably do.

At the end of the Jay-Z CDs, are the CDs by musicians/bands that begin with "Jazz". The first such is "Xenoblast" by The Jazz Mandolin Project

Seeing Jay-Z next to Jazz Mandolin Project shook me for a moment.

I think you're an hour early :p

Now watch Jazzy slap me down by telling me that 3:44 is the specially stripped down, bonus track release of 4:44
 

Barely a page into the book “Spotify Untold,” Swedish authors Jonas Leijonhufvud (pictured at left) and Sven Carlsson paint an odd scene. The year is 2010 and Spotifyco-founder and CEO Daniel Ek is facing a succession of obstacles gaining entry into the U.S. market — or, more specifically, infiltrating the tightly-networked and often nepotistic to a fault music industry. As stress sets in, Ek becomes convinced that Apple’s Steve Jobs is calling his phone just to breathe deeply on the other end of the line, he purportedly confesses to a colleague.
 
Quote from Apple Music head Oliver Schusser:

“That’s just not the way we look at the world,” continues Schusser. “We really do believe that we have a responsibility to our subscribers and our customers to have people recommend what a playlist should look like and who the future superstars are.”

The arrogance displayed in that statement is breathtaking.

My opinion is that Apple as a company has atrocious taste in music, and will invariably recommend the most mainstream, pop, commercial and trashy music possible.

 
Ricardo Kocadag from the Federal Institute for Materials Research invented it: the record made of concrete! In the BLN.FM studio he did a test run. The engineer grabbed the disc on a normal turntable. And we can say: Yes, definitely! We clearly recognized "(I Can't Get No) Satisfaction" from the Rolling Stones.
15D226-4

But why make a record of concrete? Ricardo Kocadag and his team want to prove that concrete can do more than you think. In any case, the "ultra-high performance concrete" that they have developed. The material consists not only of the usual mixture - cement, sand and water - but hardens by various admixtures and powder particularly robust and can be much finer work. Until now, concrete was no material for filigree imprints, fineness or even musicality. But for a turntable to play sounds, the embossing in the grooves must be so accurate that it can be picked up by the needle of the turntable. At the same time the 6mm thin disc must be very stable. Ricardo Kocadag concrete record proves that it is possible.

Nevertheless, the future of the concrete remains its use in the construction of bridges, skyscrapers and roof structures. The new Super Concrete withstands five times the pressure, absorbs less water and is 30-50% lighter. He should not be introduced as a vinyl substitute, there are no plans. Whether the concrete slab sounds competitive? Hear it yourself when Ricardo Kocadag plays the concrete slab in the BLN.FM studio.

Hear it here:

https://hearthis.at/613002/
 
Ricardo Kocadag from the Federal Institute for Materials Research invented it: the record made of concrete! In the BLN.FM studio he did a test run. The engineer grabbed the disc on a normal turntable. And we can say: Yes, definitely! We clearly recognized "(I Can't Get No) Satisfaction" from the Rolling Stones.
15D226-4

But why make a record of concrete? Ricardo Kocadag and his team want to prove that concrete can do more than you think. In any case, the "ultra-high performance concrete" that they have developed. The material consists not only of the usual mixture - cement, sand and water - but hardens by various admixtures and powder particularly robust and can be much finer work. Until now, concrete was no material for filigree imprints, fineness or even musicality. But for a turntable to play sounds, the embossing in the grooves must be so accurate that it can be picked up by the needle of the turntable. At the same time the 6mm thin disc must be very stable. Ricardo Kocadag concrete record proves that it is possible.

Nevertheless, the future of the concrete remains its use in the construction of bridges, skyscrapers and roof structures. The new Super Concrete withstands five times the pressure, absorbs less water and is 30-50% lighter. He should not be introduced as a vinyl substitute, there are no plans. Whether the concrete slab sounds competitive? Hear it yourself when Ricardo Kocadag plays the concrete slab in the BLN.FM studio.

Hear it here:

https://hearthis.at/613002/
I prefer concrete in the abstract.
 
Back
Top