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I was the same way with LD. Sometimes, depending on my mood, I'm still a little ambivalent about some of his work. I can't quite put my finger on why. Mostly I guess he strikes me as a very competent musician, but rarely one who achieved over the 90th percentile mark -- it seems like he mostly stuck to what worked, and didn't strive for what could have been. But when I'm in the right mood, what worked works just fine.I've never heard this one. Will be checking it out!
I recently got the RVG remaster of LD's "Lush Life", a very cool album.
I was kind of put off by my first LD purchase ("Blues Walk"), which I wasn't fully sold on. Don't get me wrong, the playing is amazing, but there's not a good balance. Way too many "burners" on the album. The whole thing is like on fire with no stopping. Haha.
I like it and wish I listened to it more. It's a fun CD. A while back, I put one of the songs on a mix-CD and was always great to hear come around.SPEAK ~ Speak (1997)
Cristian Amigo - vocals, guitars
Ed Barguiarena - keys, perc.
David J. Carpenter - bass
Evan Stone - drums
Matt Otto - sax,
Paul Vargas - trumpet,
Ryan Woodward - tenor sax and solo
Matt Lilley - alto sax
Reco'd to Markinomicon
I suggested this release to JazzyRandy many years ago. He was a tad underwhelmed at the time, in the sense that they have horns and could use them more.
But, I like it for its its post-funk-punk-ishness.
As usual, I'm with The Jazzy One on this. Despite his years on Blue Note, Lou never bowled me over. He never displayed the chops that would make me sit up and take notice.I was the same way with LD. Sometimes, depending on my mood, I'm still a little ambivalent about some of his work. I can't quite put my finger on why. Mostly I guess he strikes me as a very competent musician, but rarely one who achieved over the 90th percentile mark -- it seems like he mostly stuck to what worked, and didn't strive for what could have been. But when I'm in the right mood, what worked works just fine.
I was the same way with LD. Sometimes, depending on my mood, I'm still a little ambivalent about some of his work. I can't quite put my finger on why. Mostly I guess he strikes me as a very competent musician, but rarely one who achieved over the 90th percentile mark -- it seems like he mostly stuck to what worked, and didn't strive for what could have been. But when I'm in the right mood, what worked works just fine.
