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Porgy and Bess is perhaps not an unqualified masterpiece, but it is still in very many ways a remarkable work; not the least of which being, of course, the way so many distinctive styles and cultures are synthesized into a very coherent musical language (spirituals, jazz, blues and not the least Ravel and Debussy); and of course there are all the memorably and impressively carried out individual numbers (both the well-known and the less famous) and the ingenious use of leitmotivs (sometimes emerging and reemerging in very different guises). In addition to the musical virtues, the opera benefits from the strength of a coherently told, genuinely touching story and Gershwin's unfailing theatrical instincts. In short, it has everything needed for sustaining a continued success on stage.
George Gershwin - Porgy and Bess (Williard White, Cynthia Haymon, et all; London Philharmonic · Sir Simon Rattle)
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Aside from the many jazz renditions, I don't break out the full Porgy and Bess too often
I think this Amazon review is well written and encapsulates the opera's appeal:
Is there any basis for my rank speculation that you decided to listen to this on the first day of Summer (i.e. "Summertime)?
Have you listened to Nick's favorite from that opera?"It Ain't Necessarily So"
Indeed, it's purely coincidental![]()