José James -
1978 (2024)

This album is the epitome of Truth In Advertising/Billing/Titling. 1978 is the year he was born, but it's also the era of music whose sound he's shooting for with this album. Various songs here could be inserted into a Soul/R&B/YachtRock/SoftRock album from 1978-ish and fit in seamlessly. Right now I'm listening to something that could drop right into a Minnie Riperton album and we'd never know (as long as she was singing the lyrics.) And just like albums from the era, he keeps this to a tight nine songs and a 49-minute run time.
José glides between genres and melds them naturally. I love when it's just him, a guitar and some percussion ... or add some piano and we get something like "Place Of Worship" which features Xênia França and is a great mix of his sound and that of her Brazilian home. Then comes "Trayvon" with just Jose's voice, a piano and strings (2violins, cello, viola), sounding so sad and powerful.
He's done some straight up Jazz stuff, some EDM stuff, some alternative Soul stuff, and a couple of tribute albums (Billie Holiday, Bill Withers, Erykah Badu). He's recorded songs by Nirvana, Frank Ocean, Radiohead and many other artists. He's recorded with way too many musicians to list. At this point, each new album by him is kind of a auto-buy for me.
He's been busy, with at least 14 albums to his credit. What's cool is he only had one or two songs hit it big, which means when he tours he tours smaller venues. Not so cool for him I guess, but cool for fans who get an up close experience when seeing him live.
Here's a song featuring Emily King from his 2013 album. This is just their voices and her guitar, which gives a good chance to hear his rich baritone. There is also version of this without Emily singing and with more instrumentation.