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Over the years people have given me boxes of old vinyl on three occasions. Red Octopus was in all three collections.Jefferson Starship - Red Octopus (1975)
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Best selling album of any of the Jefferson Airplane to Starship permutations of the group thanks to Marty Balin's "Miracles". It may be a bit cheesy AM-radio sounding song about gratifying a woman, but damn it, Marty sings the hell out it!
Not a great album, but pretty solid and one that few probably remember to break out when in a 70s mood
I actually own this on vinyl and only this moment have I noticed the octopus in the middle is a heart


“Trees Hold Time” is a lazily strung out series of minimalist compositions driven by dulcimer, bouzouki, singing bowl and vocals. As repeated lullaby phrases are given time to accumulate and build, the effect is similar to the piling tones of Charlemagne Palestine’s piano pieces, with overtones slowly blooming and dying. Elsewhere, the grainy sound of bowed dulcimer gives “Trees Hold Time” a real devotional air, sharing a still, contemplative grace that’s almost medieval. On the tracks with vocals, Degens summons the lonesome spirit of the likes of mysterious UK folk legend Anne Briggs, haunted and out of time.”- DAVID KEENAN, WIRE
“I love “Trees Hold Time”. Andria has a lovely pure voice and her spirit is evident in her work. What a soulful collection!”- ANTONY, ANTONY AND THE JOHNSONS
“I think “Trees Hold Time” is truly beautiful, a perfect balance of music and space”.- CARTER BROWN, LABRADFORD
“Love your CD. It’s just beautiful. Your music is really good and people will be lucky to see it live”.- JEAN-YVES TOLA, 16 HORSEPOWER

Co-released with Ars Electronica Center, Linz. During the Austrian Ars Electronica festival in September 2000 eight musicians led by well-known Romanian composer Alexander Balanescu came together to build a session group creating a 57-hour live soundtrack that was accompanied by daily performances. The recordings of these sessions made by Austrian national radio ORF show a fascinating confrontation of differing musical methods and styles through the collaboration of internationally renowned artists representing different generations. Balanescu himself edited the recordings to 17 pieces of various lengths, picking only the finest moments of this extraordinary four-day jam." Alexander Balanescu about Lume Lume: "I have experienced and come away with so much from Linz this year, working together with Sergio, members of To Rococo Rot, Siegfried, Rupert and Isabella. I was able to bring aspects of my music-making into sharp focus that would otherwise remain peripheral. These artists, with their own very particular areas of creativity, through an almost miraculous chemistry, managed to bring out the best of themselves and each other. I also learned how to play for and with the river, rain, wind, the changing sky, the back-drop of Linz's buildings, the passing ships, the people, dogs, the darkness and ourselves."