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I've never heard it, but I like the lineup that I recognize.
They don't all play together. I think Here And There is one of those albums put together from multiple recording sessions from years earlier. It's very good. Especially the songs with Dolphy on flute. He absolutely kills those parts where it sounds like only the bass and flute get the action.I've never heard it, but I like the lineup that I recognize.
I did not know that. You certainly don't flaut it.^ As someone who took flute lessons for about 15 years, I should check those out!

oneRYMreviewer said:Well, it's 1961 and Roland Alexander releases a hard bop session entitled "Pleasure Bent" and all his hopes and dreams ride on it. It doesn't make waves, and he goes on his merry way performing for however many decades, most likely saying that he was just grateful for being able to record it in the first place. But it is as it was, and it was a missed chance... I'm sure he knew it.
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Alexander was a Coltrane influenced saxophonist "before it was cool" way back in '61.
It's unanimous. Everyone loves it!multipleRYMreviewers said:Thankfully Joe Henderson had the opportunity to be a part of Herbie Hancock's Fat Albert Rotunda, and Freddie Hubbard's Red Clay and Straight Life. Otherwise he may not have been inspired to make Multiple, which may be his finest album.
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My favourite Joe Henderson album
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More like WOAH Henderson
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this album resembles a gentler, more accessible and less chaotic "Bitches Brew" at times but it still caught me off guard (mainly because I wasn't really aware Henderson even *had* an "electric period")
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It's a brilliant record,brimming with ideas and executed with real style.
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Unbelievably awesome! A jazz-fusion essential.