Zeeba Neighba
Staff member
R.E.M. - Green (1988)
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^ I am delighted you found something more tolerable, but still don't fully grok this project.
[looks up "grok"] 
So you're saying he'll be Bach in your playlist soon?^
Years ago, I had an unfulfilled New Years resolution to listen to Bach daily covering a big chunk of his output - the older I get, the more I appreciate him more. One day...

That's playLiszt.So you're saying he'll be Bach in your playlist soon?![]()
www.obscuresound.com
There is no doubt about Edgar Meyer's musicianship, creativity or talent. This CD features 14 new works, all by Meyer and all played by him (through the magic of multi-track recording and overdubbing). In addition to his usual double-bass, Meyer plays piano, mandolin, dobro, guitar, and gamba (sometimes bowed, sometimes plucked, at points overdubbed nine times), all in various combinations. Each piece, it seems, is in a different style or genre. The first, a duet for piano and bass, is a long pop ballad without words. Another is (almost) pure bluegrass. There are some artsy pieces that experiment with sounds a la new-age music. The result is never boring but, at the same time, it gives the CD a feel of being neither fish nor fowl. As a means of showing off Meyer's considerable abilities it is splendid, but after the listener finishes oohing-and-aahing over the cleverness, it all seems like hors d'oeuvres with no main course. Different people will absolutely love different parts of this CD; as a unified listening experience, it's somewhat of a puzzle. --Robert Levine
Boo! Human opens with “Shown and Told,” a sweetly cerebral homage to Simon & Garfunkel that segues into knowing laughter. But the remainder of the Chicago band’s 12th album bears little resemblance to that acoustic gem, trafficking in herky-jerky rhythms (“Just Pack or Unpack”), arch chamber pop (“Insects Don’t Eat Bananas”), and romantic laments (“Vine on a Wire”). That far-flung aesthetic might be due to a more sprawling lineup (14 contributors, to be exact), but thanks to frontman Tim Kinsella’s pleasantly dispassionate delivery, an ambient coherence permeates the tunes, a quality that’s both comforting and numbing. --Shannon Zimmerman