What Are You Listening To? September 2022

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Andre Tchaikowsky - Debut Recital (1957)

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Andre Tchaikowsky (ne Robert Andrzej Krauthammer, 1935-1982) managed to survive the Warsaw Ghetto during WWII, afterward winding up in London. In addition to being a sterling pianist, he was a prolific composer. Sadly, he died of colon cancer at age 46. Wiki tells us the rest of the bizarre story:

In his will he left his body to medical research, and donated his skull to the Royal Shakespeare Company, asking that it be used as a prop on stage. Tchaikowsky hoped that his skull would be used for the skull of Yorick in productions of Hamlet. For many years, no actor or director felt comfortable using a real skull in performances, although it was occasionally used in rehearsals. In 2008, the skull was finally held by David Tennant in a series of performances of Hamlet at the Courtyard Theatre in Stratford-upon-Avon.

After the use of Tchaikowsky's skull was revealed in the press, this production of Hamlet moved to the West End and the RSC announced that they would no longer use Tchaikowsky's skull (a spokesman said that it would be "too distracting for the audience"). However, this was a deception; in fact, the skull was used throughout the production's West End run, and in a subsequent television adaptation broadcast on BBC2. Director Gregory Doran said, "André Tchaikowsky's skull was a very important part of our production of Hamlet, and despite all the hype about him, he meant a great deal to the company."


Alas, poor Andre! I knew him, Horatio.

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The skull was even honored with its own commemorative postage stamp.

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After the use of Tchaikowsky's skull was revealed in the press, this production of Hamlet moved to the West End and the RSC announced that they would no longer use Tchaikowsky's skull (a spokesman said that it would be "too distracting for the audience"). However, this was a deception; in fact, the skull was used throughout the production's West End run, and in a subsequent television adaptation broadcast on BBC2.

Who was responsible for such skulduggery?
 
Frank Sinatra - The House I Live In (rec. 1943-44, VJC comp. 1990)

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This invaluable collection rounds up two dozen radio transcriptions plus four clean studio masters from the RKO film "Higher and Higher". Sound quality is excellent and the compilers wisely left in just enough banter to give a sense of context. Frankie is in fine voice, backed by the sympathetic ork of Axel Stordahl.

Many of the radio shows were sponsored by Vimm's Vitamins, doubtless a godsend to war weary Americans.

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Marian McPartland with Strings ~ Silent Pool (1997)



Quite good (surprisingly, for me), as I have not heard much of this lady's work, and the thought of Jazz with Strings is generally anathema to me.

I would say this sounds more like Ambient/Modern Classical with a bit of Jazz phrasing. One song is even named "Ambiance."
 
Various Artists - Debussy: His First Performers (comp. 2018)

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This astounding 10 CD collection gives us a chance to hear how the performing community first came to grips with the revolutionary music of Claude Debussy.

The Wall Street Journal :oops: sez:

All the big names are here: the pianists Alfred Cortot and Walter Gieseking, the conductors Pierre Monteux, Ernest Ansermet and Charles Munch. But so are more obscure ones, like the cellist Maurice Maréchal, the mezzo-soprano Jane Bathori and the conductors Camille Chevillard (born 1859!), who led the premiere of “La Mer” in 1905, and Henri Büsser, just 10 years younger than Debussy and a trusted collaborator. Taken in sum, the set provides vital information as to how artists close to this seminal composer interpreted his works. Not all were Debussy intimates, but each was proximate enough to feel the composer’s impact, and all but one (the conductor Arturo Toscanini) were deeply entwined with a distinct, now extinct, Gallic musical tradition.
 
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