Quite simply this album by Juan Martin, is fabulous. Not only do we get the incredible guitar performance that we might expect, but we also get an interesting composition that is full of the elements of Flamenco and history of Spain.
Suite one, depicts the invasion of the Moors into Spain and the focus on area of Andalucia. Woven into the composition is the "Zambra Mora" a Moorish dance form found in Flamenco.
In the second movement Juan Martin explores the Latin American influence that came from the discovery of the Americas with Columbus and here we get elements of South American rhythms found in Flamenco. This is realised through a Rumba sound. The third movement is sad and nostalgic, and the fourth movement has a strumming gypsy flavour.
Suite two is a fabulous composition by Juan Martin that is often abstract and introspective. Movement one pays homage to the area supported by the major river of Andalucia Guadalquivir. Once again, through the other movements he uses different influences as he explores Seville, Cordoba, Triana.
Suite three like the first two movements explores further reaches of Andalucia with City of Linares and a tribute to Segovia, Jerez, with a contemporary feel and Ronda, with its rugged beauty.
Suite four explores Cadiz and uses elements of the traditional Alegrias and Malaga with a different Flamenco style. The third movement pays homage to the gardens at Malaga, Segovia and Manuel de Falia and his "nights in the gardens of Spain" for piano and orchestra. The final movement is a estillo comera country style.
The whole album is rich in texture, colour and history and makes a fantastic sound of the Spanish Guitar and Flamenco. It is a great album with good sound and a magic performance.