What are you listening to? July 2018

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Snarky Puppy - groundUP (2012)

4.5 stars at AllAboutJazz
AllAboutJazz said:
a collective with over 25 players in regular rotation from Dallas and New York City, bringing a rotund sound of heady jazz, infectious funk and world music influences
...
The music leaves a subtle imprint of diverse influences, with hues of Africa and cranked hip hop in "Binky," mixed with brass and synthesizers, or a Southern hard rock anthem with Derek Trucks-style slide guitar in "Minjor." The level of musicianship allows the group to shift gears in "Young Stuff," moving from swinging vamps and electronics to a slow stewed beat with a very funky electric solo reminiscent of polish violinist Michal Urbaniak.
...
The tightest track on groundUP is without a doubt "Bent Nails," with its smoking guitar riff, Tower of Power horns and a funky break that would make the Godfather of Soul, James Brown, smile.
 
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Miles Davis - Kind Of Blue (1959)
How is that? I've heard different things....
It's funny. No, the album is not funny. My changing opinion of it makes me wonder ...

My son's longtime guitar teacher moved to Arizona a few weeks ago. Three weeks ago, my son started with his new teacher who is a graduate student majoring in Jazz guitar at a local university. While I like his previous instructor very much, I had been wondering for a while if it might have long been time for a change, strictly from a teaching perspective. Personally, the previous guy was fantastic. Still, the change has been great so far -- new approaches, new techniques, resetting the teacher/student relationship. Well, the new instructor started with "So What" yesterday. After listening to my son practice it today, I got a hankering to hear the original.

Back to the album ... How is it for someone like you who may have never heard it before? ;) For the longest time, I never got a lot out of KoB. Where others saw possibly the greatest Jazz album ever, I initially saw a competent if sometimes languid but competent exercise. My opinion has slowly improved, though it sometimes fluctuates, to the point where I now like this very much.

Taking another tangent, one of the reasons I (probably) had a hard time appreciating Miles was his reputation as an abuser of women. One of my son's best friends is going to a concert in a few days and has asked repeatedly if JazzySon can go with him. I put it off for the longest ... because the headliner also has a history of abusing women. Finally, I decided to allow JazzySon to attend. He knows how I feel about the performer (Chris Brown) and the idea of putting money in his pockets. But this will be his first "big" concert, and if I can overlook Miles' transgressions to enjoy his music, I guess I can overlook Brown's indiscretions to allow JazzySon to enjoy the experience of listening to thousands of teenagers screaming and jumping all night.

Bottom line: Buy it. You'll like it. :Matt:
 
It's funny. No, the album is not funny. My changing opinion of it makes me wonder ...

My son's longtime guitar teacher moved to Arizona a few weeks ago. Three weeks ago, my son started with his new teacher who is a graduate student majoring in Jazz guitar at a local university. While I like his previous instructor very much, I had been wondering for a while if it might have long been time for a change, strictly from a teaching perspective. Personally, the previous guy was fantastic. Still, the change has been great so far -- new approaches, new techniques, resetting the teacher/student relationship. Well, the new instructor started with "So What" yesterday. After listening to my son practice it today, I got a hankering to hear the original.

Back to the album ... How is it for someone like you who may have never heard it before? ;) For the longest time, I never got a lot out of KoB. Where others saw possibly the greatest Jazz album ever, I initially saw a competent if sometimes languid but competent exercise. My opinion has slowly improved, though it sometimes fluctuates, to the point where I now like this very much.

Taking another tangent, one of the reasons I (probably) had a hard time appreciating Miles was his reputation as an abuser of women. One of my son's best friends is going to a concert in a few days and has asked repeatedly if JazzySon can go with him. I put it off for the longest ... because the headliner also has a history of abusing women. Finally, I decided to allow JazzySon to attend. He knows how I feel about the performer (Chris Brown) and the idea of putting money in his pockets. But this will be his first "big" concert, and if I can overlook Miles' transgressions to enjoy his music, I guess I can overlook Brown's indiscretions to allow JazzySon to enjoy the experience of listening to thousands of teenagers screaming and jumping all night.

Bottom line: Buy it. You'll like it. :Matt:
I guessed Chris Brown before you even said his name.

Thanks for your impressions. I already have a number of copies.
 
You just ruined my joyful feeling of leading you to KoB. Now I have to start my hunt anew for a KoB virgin.
I apologize for not letting you in on the joke. I thought you knew.

It would have been like suggesting I had not heard The Beatles. No, no, that's not a good analogy.

It would have been like suggesting I had not heard EW&F.
 
It's funny. No, the album is not funny. My changing opinion of it makes me wonder ...

My son's longtime guitar teacher moved to Arizona a few weeks ago. Three weeks ago, my son started with his new teacher who is a graduate student majoring in Jazz guitar at a local university. While I like his previous instructor very much, I had been wondering for a while if it might have long been time for a change, strictly from a teaching perspective. Personally, the previous guy was fantastic. Still, the change has been great so far -- new approaches, new techniques, resetting the teacher/student relationship. Well, the new instructor started with "So What" yesterday. After listening to my son practice it today, I got a hankering to hear the original.

Back to the album ... How is it for someone like you who may have never heard it before? ;) For the longest time, I never got a lot out of KoB. Where others saw possibly the greatest Jazz album ever, I initially saw a competent if sometimes languid but competent exercise. My opinion has slowly improved, though it sometimes fluctuates, to the point where I now like this very much.

Taking another tangent, one of the reasons I (probably) had a hard time appreciating Miles was his reputation as an abuser of women. One of my son's best friends is going to a concert in a few days and has asked repeatedly if JazzySon can go with him. I put it off for the longest ... because the headliner also has a history of abusing women. Finally, I decided to allow JazzySon to attend. He knows how I feel about the performer (Chris Brown) and the idea of putting money in his pockets. But this will be his first "big" concert, and if I can overlook Miles' transgressions to enjoy his music, I guess I can overlook Brown's indiscretions to allow JazzySon to enjoy the experience of listening to thousands of teenagers screaming and jumping all night.

Bottom line: Buy it. You'll like it. :Matt:
I’ve gone through much the same evolution with Miles. KoB and Birth of the Cool have gone from :shrug:to :cheer:. I’m still :meh:about Bitches Brew, though.

My mom used to bug me about the personal vices of artists like the Stones. I explained to her that (1) music was a way for me to relate to my peers and (2) Frank Sinatra had a few skeletons in his closet, too. She never gave in (that was my mom) but she did stop nagging me.
 
Kenny Barron - Peruvian Blue (Muse 1974)

Peruvian_Blue.jpg


 
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