Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
It was perhaps inevitable that, because of the violent nature of much of the Fourth Symphony, it should also be labelled as a prophetic warning of the consequences of totalitarianism. Vaughan Williams himself denied any such intent; he wrote to a friend in 1937: "I wrote it not as a definite picture of anything external - e.g., the state of Europe - but simply because it occurred to me like this... It is what I wanted to do at the time." Hence his often quoted remark at the early rehearsals, "I don't know if I like it, but it is what I meant."
Vaughan Williams began his Sixth Symphony in 1944, when he was approaching 72, and completed it in 1947... In 1948, when the Second World War was fresh in the mind and the possibility of another seemed to be hardening into probability, this symphony seemed to reflect the temper of the age or to be a prophecy. One sympathetic commentator labelled it 'the War Symphony', only to be severely rebuked by the composer for implying the existence of a 'programme', which he emphatically denied. Speculation was particularly intense about the strange pianissimo Epilogue, which many people heard as a musical depiction of a world laid waste by atomic warfare. In a letter dated 22 January 1956 to the present writer, Vaughan Williams said: "With regard to the last movement of my no. 6, I do not believe in meanings and mottoes, as you know, but I think we can get in words nearest to the substance of my last movement in, "We are such stuff as dreams are made on, and our little life is rounded with a sleep." These line from Prospero's Farewell in Shakespeare's Tempest are the correct clue to the whole work's emotional climate. The storms of life, of which war is but one, end in the greatest mystery of all, the nature of that eternal 'sleep' which rounds it off.
Very profound. I’m going to have to track this one down.Ralph Vaughan Williams ~ Symphony No. 4; Symphony No. 6 (New Philharmonia Orchestra; Sir Adrian Boult) (1991)
Two symphonies from RVW that I have enjoyed for decades. Symphony #4 was written between 1931 and 1934. From the liner notes on EMI Classics,
This Epilogue is one of my favorite passages of music.
You are welcome.

Yes, they are terrific. Rhino Handmade did an eye opening box set.Fanny, the "Queens of Rock and Roll"
Who was Fanny? The band you never heard of (except for Ojai, probably! ).
Fanny, the "Queens of Rock and Roll"
Who was Fanny? The band you never heard of (except for Ojai, probably! ).
You mentioned Symphony No. 9.New York Philharmonic (Leopold Stokowski) - Vaughan Williams: Symphony No. 9 (1949)
View attachment 6459
This is the 1949 world premiere performance. That last movement is very disquieting. If at some level it represents eternal sleep, we are in for a restless eternity.
View attachment 6460
I meant 6. Must be upside down dyslexic.You mentioned Symphony No. 9.
That's a good one, too.
As Jimi wrote:
"Now if a 6 turned out to be 9
I don't mind, I don't mind, (well alright)
If all the hippies cut off all their hair
I don't care, I don't care
Dig, cause I got my own world to live through
And uh, and I ain't going to copy you"
No Thanks! The '70s Rebellion (4 CD box set)
![]()
Royal Philharmonic/London Philharmonic (Sir Thomas Beecham) - Delius: Orchestral Works vol. 1 (rec. 1927-34, Naxos Historical 2000)
View attachment 6463
Here's your Delius trivia for the day:
Here's your Delius trivia for the day:
Fritz Delius changed his name to "Frederick" in 1902. He is also rumored to have fathered a son while living in Florida. The mother was an African-American woman named Chloe.